N - Ashly Protea 2.24GS Equalizer
The 2.24GS allows for the installation of multiple channel graphic equalizers. Control and programming is easily achieved from the 4.24G Main Unit, 4.24RD. Remote Control, through the use of Ashly's exclusive Protea System Software running on a PC, or by a MIDI controller. 2RU chassis, and has 4 independent channels of fully programmable 28band graphic EQ with limiter, high- and low-pass filters, and time delay functions. Each channel allows for 28 bands of 1/3-octave, ISO centered, constant Q filters, ranging from 31Hz to 16kHz. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Up to 1.364 sec. time delay.
$1375.00 1 Available

N - Gentner Microtel
The Gentner Microtel Telephone Interface REPLACES the handset on the phone. Accepts a phone line into box. Auxiliary out is a mini output (which is line level). There is a mic input (XLR) for the speaker to talk back to person on the phone. There is a Head set 1/4" plug for the person to monitor the sound. Microphone and headset needed to be able to hear and talk to the person on the other end of the line. Adjustable SEND and RECEIVE levels Can be powered by 2(9V) batteries or AC power.
$375.00 1 Available

U - Nagra 4.2 w/Relay Guides
The NAGRA 4.2 is a portable mono full track 6.35-mm (1/4 inch) analogue audio tape recorder designed for radio, cinema and television applications. This recorder has three speeds: 38, 19 and 9.5 cm/s (15, 7 1/2, 3 3/4 ips), NAB or CCIR standard. Two mic. inputs, switchable to dynamic, T or P (48V) condenser. One voltage or current line input. One direct mixer input, 4.4V or 1.55V balanced line output, depending on the transformer installed. The NAGRA 4.2 contains separate recording and playback heads for confidence playback, built-in monitoring speaker switchable to source or tape.
$1800.00 1 Available

PSC Phone Hybrid Telephone Line Interface
The PSC Phone Hybrid is perfect for radio remotes, video and film production. It's powered from the phone line so no additional power source is required and the compact size is perfect for field applications. The unit is supplied with an assortment of phone cables and adapters to allow easy connection to virtually any phone line. The PSC Phone Hybrid will enable the field sound recordist to feed balanced or unbalanced line or microphone level signals into a standard phone line. In addition, the unit will output a microphone level signal via a balanced XLR output. The PSC Phone Hybrid also contains a buit in keypad for dial out purposes, thus it can be used without the need for an additional telephone. Included in the design are two balanced inputs that are line or microphone level switchable, each with independent volume controls.

N - Audio Technica ATH-M40fs Headphone
Flat, extended frequency response for mixing/monitoring. Field-replaceable cables, drivers and ear pads. 1,600mW of power handling, high SPL capability. 40mm diameter drivers, neodymium magnets and CCAW voice coils. Operation: Closed-back Element: Dynamic Driver Diameter: 40mm Frequency Response: 5 - 28,000Hz Sensitivity (1 mW): 100dB Magnet Type: Neodymium Impedance: 60ohms Maximum Input Power: 1,600mW.
$140.00 2 Available

N - Sennheiser HD25
The closed-back HD 25s are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in high-noise environments, eg.ENG, sound reinforcement, studio monitoring and audio equipment testing. The capsule is rotatable for one-ear listening.
$160.00 2 Available

N - Shure FP16A Distribution Amplifier
A 1-input, 6-output portable audio distribution amplifier for routing multiple audio feeds. Includes XLR transformer-balanced input and outputs each switchable for microphone or line level operation, phantom power, link jacks for connecting additional FP16A units or outboard devices, screw-driver adjustable gain controls. Rack-mountable with A16R. Battery (three standard 9-volt alkaline) or 120/240 Vac power.
$455.00 4 Available

D - Sony CDP-D500 Professional Compact Disc Player
The Sony CDP-D500 is a true Professional CD Player that fits seamlessly into a digital system. Jog Shuttle Dial for CD frame accurate cueing. Cue to either TRACK or INDEX. Cue/Standby mode. Direct track access on front panel. Lock to external digital word clock. Adjustable Auto Fade on front panel Adjustable Auto Fade In/Out. Accommodates both 8cm (3-inch) and 12 cm (5-inch) compact discs. Built-in digital outputs conforming to the AES/EBU and unbalanced (IEC-958) formats. Built-in DIN 8-pin remote control connector enabling fader start/stop form a mixing console. Auto cue playback for rapid start from a point where modulation is detected on the disc. Variable speed playback (+ 12.5% in 0.1% steps). Various playback modes including programmed playback, delete playback, etc. 19-inch rack mountable.
$1100.00 1 Available

D - Sony PCM-7040 Studio DAT Recorder
The PCM-7040 offers an affordable 2-track digital recording solution for the professional post production and broadcast environment. Features such as an onboard timecode reader/generator, digital I/O, memory start, an RS-232 interface and edit memory are standard. Using the internal timecode reader/generator, editing, chase synchronization and conversion between the SMPTE/EBU/FILM and DAT timecode formats is possible. Both drop and non-drop frame rates are supported, as well as the ability to reference to composite sync and blackburst signals. Word Clock I/O is also supported when the PCM-7040 is used in conjunction with a DAW. The memory start function stores 3 seconds of stereo audio, overcoming the inherent delay found in a normal rotary head DAT system.
$6999.00 1 Available

N - Sony TCD D10 PRO II DAT Recorder
Sony's TCD D10 PRO II is a portable NON-timecode DAT player/recorder. It has 2 channel analog and digital (AES/EBU) I/O. Features balanced switchable mic/line inputs, AES/EBU digital I/O, Absolute time recording, hi speed search using the ID recorded in subcode area, Built-in hours meter, microphone low cut filter and microphone attenuator/limiter, frequency response: 20 - 22,000Hz, S/N +85dB; dynamic range +85dB and distortion less than 0.06%.
$2795.00 1 Available

D - Sony PCM-R500
The comprehensive features of the Sony PCM-R500 make it easy to integrate into a variety of settings. The PCM-R500 sports a wide range of interfaces, including balanced and unbalanced analogue, AES/EBU and coaxial digital IO and parallel remote. This makes it easy to interface the PCM-R500 into a range of settings. As a fully professional unit, the PCM-R500 has full SCMS (Serial Control Management System) capability. This means recordings can be made which can be freely copied, which can be copied only once, or not copied at all as required, helping to protect the copyright of tracks recorded with the unit. The PCM-R500 has ultra high quality digital converters for high fidelity sound reproduction. For playback, the PCM-R500 is fitted with a 20-bit resolution digital to analogue converters, ensuring the best possible signal integrity with an excellent signal to noise ratio. Coupled with the Super Bit Mapping technology, the PCM-R500 offers the highest quality for valuable recordings.
$999.00 1 Available

N - Sony TC-WR565
The TC-WR565 is a Dual Well Cassette Recorder/Player. Normal and High Speed Dubbing with totally Independent Transport Controls for each Well. Selectable One-Side Only or Auto-Reverse operation. Balance Control for evening out a stereo input level that is un-even and pitch Control, -30 to +30% (deck A), for pitch matching during playback. Dolby HX Pro for reduced distortion & noise along with Dolby B and C for reduced tape hiss. Automatic Calibration for custom biasing per tape along with Test Tones for bias current and recording calibration. Automatic Music Sensor to locate to any song on the tape, FAST and Random Music Sensor to Play tracks in any order. Rack-Mountable for live rigs or studio rack placement.
$175.00 1 Available

N - Whirlwind DIRECTOR
This premium direct box converts an unbalanced line, instrument or speaker level signal to low impedance balanced mic level. Features include: 1/4 inch parallel-wired in/out jacks, Ground Lift switch to help eliminate hum and buzz, 30dB pad switch for selecting between line/instrument or speaker level input signals, and switchable high cut filter to eliminate amplifier noise.
$59.00 1 Available

N - Whirlwind IMP 2
Built rugged on the inside and outside, this is the world famous DI found in pro systems everywhere. The IMP 2 converts a line or instrument level unbalanced signal to a low impedance mic level balanced signal. Features include: 1/4 inch parallel-wired in/out jacks, Ground Lift switch to help isolate hum and buzz. Uses Whirlwind's TRHL transformer that's riveted, not glued, to the chassis. It's the ideal direct box for anyone requiring professional quality and durability in an economical package.
$29.50 2 Available

N - Whirlwind Qbox
The Qbox is the all-in-one audio line tester ideal for applications such as live sound, maintenance or installation work. Use it to monitor a standard 3-wire intercom feed or talkback from the main audio console. The Qbox can quick-check dynamic mics without firing up the entire system. It provides a handy mic or line-level tone for activating a signal path or identifying a specific cable in a pile of cable ends. Powered by a single standard 9V alkaline battery and housed in rugged ABS, the Qbox is light yet able to withstand the wear and tear of field work.
$129.00 3 Available

N - Whirlwind MPM1
Each input has its own volume control and there's a master volume and four band tone control section. In addition, there are Priority Line and Priority Mic inputs, each with their own volume controls. The output section features stereo RCA phono connectors and balanced XLRs. The XLRs can be set to stereo or mono operation with a rear panel button. Use the XLRs when set to mono to drive 70V line amps for ceiling speakers while keeping the RCAs in stereo. The MPM1 is housed in a 1U steel chassis with removable rack ears.
$475.00 1 Available

N - Whirlwind Mic Eliminator with speaker/mic simulation filter
Delivers the combined mic/speaker sound of a live, miked guitar speaker direct from your guitar, preamp, or speaker output, without using a microphone. The two tone-color settings reflect the most common optimized mic setups and deliver a clean, full sound that doesn't fall apart on distorted chords. The high impedance, ultra-low-noise preamp preserves the upper harmonics of high-output passive pickups. Can be powered directly from 48V phantom power system or from a standard, easily replaceable internal 9V battery. Input jack: 1/4inch. Output: XLR balanced. 1.7inch tall, 5inch wide, 3.6inch deep. (4.4 x 12.7 x 9.2 cm)
$58.00 1 Available